Castle Hill Lighthouse

As a nocturne we can see the red warning beacon of the Castle Hill Lighthouse, and being situated so close to the water, it's easy to imagine violent waves and tough weather along the rocky coast. 

This small pastel is available through the Sheldon Fine Art Gallery at Bowen's Wharf in Newport, RI.

Sachuest Point Park / Start

This is an underpainting and a good start for a view at Sachuest Point Park in Newport, RI. See above for the more developed image. There's a bench near the southern tip of the park and trail, on the east side, so this view is as one would be looking to the northeast.

It's a lovely place to walk, and the rocky coast offers many interesting vistas. I'll be making many more oil paintings from this park, both plain aire and studio pieces. 

I plan to add a few more details to this one, but will keep the existing color scheme. I'll make another similar painting with more green and natural colors, but I love this fall looking contrast of orange and blues. Perhaps the trees and grasses would turn this color after a hurricane sprays saltwater. I've seen that kind of salt burn along the coastal vegetation in North Carolina after a bad storm. It takes a while, but returns to green in time. 

24" x 12", oil on canvas 

Call for the price. 

Newport Harbor Light for Christmas

This is the Newport Harbor Lighthouse on Goat Island in Newport, Rhode Island. It's actually decorated like this for Christmas but I've added the internal red glow. 

This 8x10 pastel is available through the Sheldon Fine Art Gallery at Bowen's Wharf in Newport. 

Sheep May Safely Graze

Yes, I placed sheep in this one. And there's a bunny on the lawn of the house picture!

Watch a movie of all three in progress. 

Fini! Nash Hopper House 1772

Turned in three framed pictures. Show is tonight. There’s a bunny on the lawn.

The Colonial Inn is Signed

One down, two to go. All three need to be turned in by 2 today.

Finished Study

That's good, now on to another view and a little different, smaller building, with a bit more sky, then room for the Colonial Inn sign.

Straightening Things Up

Moving along! Nice to have an enthusiastic reaction from those passing by. Off to a fun start.

First Sketch

I've checked in at The Arts Council and already started my first painting. It's a nocturne, of course, soon to add candle and lantern lights inside and out of the old Colonial Inn, which dates to 1759. 

This is a 14x11 canvas study, and next I'll sketch in a larger 20x16, covering the entire piece of linen and aligning all the elements. Stay tuned! And please share the link. 

Jack 

St. Croix Paintings

Here's my first St. Croix painting, a view (without houses) from the Columbus Landing Beach, northwest of Christiansted near Salt River. It's oil on linen, about 10" tall by 14.5" wide and is not stretched, so it can be matted and framed with glass or mounted and framed flat, or mounted if preferred.  I'm asking $400 for my first picture--below is the matching piece.
Signed J. H. Anglin St. Croix 2016

N/A

And this is my second St. Croix painting, a view from the Columbus Landing Beach looking east toward the Salt River Inlet and a favorite. It's oil on linen, about 10" tall by 14.5" wide and is not stretched, so it can be matted and framed with glass or mounted and framed flat, or mounted if preferred.
Signed J. H. Anglin St. Croix 2016

SOLD

New Nocturnes from St. Croix

Moon Mill Nocturne oil on linen $200
unframed for framing with a mat & glass, mounting or stretching

One of the interesting things on the island of St. Croix are the many ruins of old windmills that were used in the production of sugar from cane. With the very consistent easterly Tradewinds it made sense to construct these towers to do the work of crushing and squeezing plants. Those who built them were harkening back to European design and specifically Danish style windmills.

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Morning Mill    oil on linen $125 unframed

All that remains today on St. Croix are these amazing stone conical towers, which at the ground floor doorway are 3 feet thick or more and are constructed of a variety of brick, stone and coral. On the walls you might see a piece of coral with fan striation next to colorful stone. It's a very attractive, eclectic kind of masonry. The blades and vanes of the windmill 'fans' are long gone, as are the superstructures that sat atop and housed the upper mechanism or transmission, if you will.

I'm starting to paint scenes and images from TheBuccaneer.com resort near Christiansted and their mill neat their check in point and now used for romantic dinners and as a venue for weddings. I'll paint many daytime paintings of it, to be sure, but I really like imagining the blades or vanes and other parts, for The Buccaneer Mill and others. And I do love my nocturnes.

A gallery visitor recently spotted these and recognized the colors on one as something like a Remington nocturne. I was fortunate to see many of those at the Amon Carter Museum in Fort Worth as well as Remingtons in the Sid Richardson collection and they did have their effect on me. It's amazing how much color one can see in them once you start looking. This windmill and the others are fun things to paint! This is a 16 x 20 inch oil on linen, and in process, and probably will be for sale soon at The Buccaneer.