Showing posts with label giclee reproduction. Show all posts
Showing posts with label giclee reproduction. Show all posts

Spires & Steeples Video

Click the image to view a video of the Spires & Steeples in HD at Vimeo and here for YouTube version.

For our wonderful Thanksgiving holiday we moved furniture for our daughter who is now living in Washington, DC. On Thanksgiving Day the Smithsonian Museums were open, so an easy trip to the National Gallery of Art and the Freer were in order. What a treasure we have in those museums. The Corcoran has a Sargent exhibit that will leave early January. We weren't able to take that in this time but hope to return with another load of boxes.

I haven't been able to post lately but have plans for several DC images along with plein air pieces of local items of interest. On Thanksgiving morning I got out on the mall early and found a wonderful fog was present and providing the perfect atmospheric background for the old Navy Memorial (Peace Memorial) and the Grant Memorial at the foot of the Capitol Building. The fog was pretty thick and the Capitol dome was barely visible. The last time I was in the area I was taken with the Navy Memorial or The Peace Memorial, but it was a sunny afternoon and the statues were surrounded by white tour buses, which made for a curious view. This time only a few joggers and occasional police cars came by. It was pretty great! I'm so glad I got up and out early. I'm thankful for many things.

Below are some of the drawings I made for this painting. There were several variations but I quickly settled into what I needed to do. Symmetry of buildings, balance of sizes, the inclusion of fountains and trees, and the civic buildings central seemed the correct way to proceed.

I did entertain working them up separately and then combining them digitally into a larger composition. You may recognize the solo spire as a street view of First Presbyterian. I made a pastel of that church as it looked before the restoration.

Happy Fellow

Often when riding through the country I will stop to stretch my legs and visit favorite trees, vistas, and farm animals that attract my eye. This little goat was such a friendly guy, he walked right up to the fence and stuck his head through the wire. I scratched his head and admired his fresh face and what looked to be a smile. I think many of us respond to creatures that convey emotion or what we human beings interpret as such. Our wonderful Golden Retriever named Guinness has the most expressive eyebrows. You can read all sorts of things into his expressions, No one can tell me I'm imagining something when I detect that my dog is irritated with me whenever I'm leaving him in the house or that he's looking purely delighted after his bath and towel rub-down.

Click below for a video from VIMEO, a Flash presentation.

This Happy Fellow video is a partially accelerated oil painting session made earlier this year (speeding up after about 4 minutes) -a quick oil portrait of a friendly little goat.

As I mentioned, I met this sweet fellow a few years ago on my passage through the country on my way home from church in Bentonville, NC. I always wanted to paint this image from the photo I was fortunate to have taken, and decided I would do so while recording the entire process. This video is about 13.5 minutes long, and has no audio since it just sounds like a lot of scratching anyway. I realize now that I hold my breath and sigh a lot while painting --quite revealing! --like I have paint apnea! Maybe other painters will be interested in observing some of the technique and method. It was very good for me to witness myself objectively and plan for my next paintings and any future videos which will definitely be shorter, narrated, and produced in a different manner.

This is an oil painting made on canvas that was previously toned and prepared with paint mixed only with linseed oil for a dried, smooth, primed colored and defined ground. I prefer an oil primed linen or thick canvas that is not too absorbent. When using a cotton and gessoed canvas I will completely cover the canvas by scrubbing in and laying in large zones of color. I'll create an under painting of a buttery paint mix that when dry will accept new paint on top without absorbing it through or below. It is a technique easily accomplished and makes for such a pleasant painting experience. I think few amateur artists ever have this pleasure, for painting on canvas duck as most do is sort of like painting on a piece of carpet. Even those who work with acrylics would benefit from priming their canvas with paint and acrylic gloss medium to tone and begin to define their work. After it is dry, working on top of a glazed oil or acrylic is a dream! It is like working on glass and painting becomes more like sculpture than coloring. Too bad this is rarely taught or expressed! If it was demonstrated more people would probably stick with painting since it would be a hell of a lot more fun and produce much more acceptable results.

Happy Fellow is sold and in the possession of a happy young couple. I hope I will get to paint all their kids someday!

Enjoy! --Jack Anglin

The Giraffes of Bentonville

Years ago I served a church in the country near the Bentonville Battlefied. Just north of the Museum and Battleground were these silos --they are gone now. Fortunately I photographed them just weeks before they were torn down. I always saw the shapes of giraffes from the rusty doors and the pipes and motors. When I pointed them out to my kids or other people they said, "Oh yeah!"

The oil original is no longer available but reproductions on canvas will be coming soon. I believe they are about 24" square.