North Beach Evening Study

9 x 12 inch oil on linen panel, January 2015

Here to the left side is the mouth of the channel which is the inlet to the Chesapeake Bay and Norfolk and Baltimore ports, etc. Soon after this moment, one of the Navy's aircraft carriers emerged into view heading out to sea. I may do another larger version of this study and include the carrier.

Henry B. Hyde Wreck in Virginia Beach

This is a fresh 5 X 7 oil of what the sailing ship Henry B. Hyde might have looked like after beaching here in Virginia Beach. Imagine what that must have been like!  What weather would confuse a crew to think they were further out to sea. Of course, now the beach is well illuminated here, but a hundred years ago that wasn't the case. The saying was, concerning the coastal lighthouses like the Cape Hatteras light, that if you could see the light --you were too close to shore. Recently one of the Volvo Ocean Race yachts hit a reef off of the eastern coast of Africa. They were running fast at night, with GPS, radar, and all sorts of computer aids and, ..ouch! So what did it feel like and how sickening for the captain and crew of the Henry B. Hyde to know that, OOPS! --this ship was doomed and they might not get away safely?

I've been examining several photos of the wreck and it appears part of the upper foremast fell over the starboard bow. I'm trying to establish what happened. At any rate, though grounded, depending on the surf and storm, this fine cargo ship might have been beat up and turned around before she was scavenged and abandoned. Part of her is probably still there buried in the sand. A future hurricane may temporarily reveal the carcass and timbers some day.

Cold Sunset with Warm Light

One of a series of new 9 X 12 oils, this is a winter beach sunset.

SOLD (Thanks Ann!)

Delivered Portrait

I'm happy to say that I've delivered a portrait today and everyone is delighted.  This beautiful young woman posed for me and sat several times for this 20 X 30 inch oil on linen.

I've several new portraits underway and a new large canvas for a church --a complex scene of working children on the Sea of Galilee with Jesus visiting.  I've made several such large paintings for churches and am looking for more ways to follow through with plenty of other ideas. If you are interested, I'll send you details.

Mother Earth

Last week's plein air paining event in Kinston was lots of  fun, although the timing was difficult with so much activity in the city with crews getting ready for the weekend festival.  I mentioned how noisy it was as I made my first pastel at the bridge (River Willows was the only item I offered for sale at the show) -well, painting on the downtown side of the river was even worse as the grass was getting cut, tents and tables were set up, etc., etc.  We experienced a range of weather, too, from a very cool day on Wednesday to a pretty warm afternoon on Friday and it was breezy all that time.  I had a couple of incidents that strong gusts blew over my panels and they fortunately landed with the wet side up!  I always tell people that the way to spot a real Monet is to look for dust, dirt and bugs in the paint.  As someone who mainly works inside and ventures outside in mostly fair weather, I can appreciate the work of others who persevere in the worst conditions to paint on location.

Here is Mother Earth Squared  --Mother Earth visiting Mother Earth --a 10" by 10" oil

River Willows

This was fun to do. Mostly, it is being present to -- attending to a view of these hardy trees and standing for two hours in one place listening and watching and painting. By the way, this is a noisy place!

On to the next image( in the shade) and back to The Nature Center to make a labyrinth this afternoon -- helping a Girl Scout project.


Pictures to come!

Happy Fellow

Often when riding through the country I will stop to stretch my legs and visit favorite trees, vistas, and farm animals that attract my eye. This little goat was such a friendly guy, he walked right up to the fence and stuck his head through the wire. I scratched his head and admired his fresh face and what looked to be a smile. I think many of us respond to creatures that convey emotion or what we human beings interpret as such. Our wonderful Golden Retriever named Guinness has the most expressive eyebrows. You can read all sorts of things into his expressions, No one can tell me I'm imagining something when I detect that my dog is irritated with me whenever I'm leaving him in the house or that he's looking purely delighted after his bath and towel rub-down.

As I mentioned, I met this sweet fellow a few years ago on my passage through the country on my way home from church in Bentonville, NC. I always wanted to paint this image from the photo I was fortunate to have taken, and decided I would do so while recording the entire process. This video is about 13.5 minutes long, and has no audio since it just sounds like a lot of scratching anyway. I realize now that I hold my breath and sigh a lot while painting --quite revealing! --like I have paint apnea! Maybe other painters will be interested in observing some of the technique and method. It was very good for me to witness myself objectively and plan for my next paintings and any future videos which will definitely be shorter, narrated, and produced in a different manner.

This is an oil painting made on canvas that was previously toned and prepared with paint mixed only with linseed oil for a dried, smooth, primed colored and defined ground. I prefer an oil primed linen or thick canvas that is not too absorbent. When using a cotton and gessoed canvas I will completely cover the canvas by scrubbing in and laying in large zones of color. I'll create an under painting of a buttery paint mix that when dry will accept new paint on top without absorbing it through or below. It is a technique easily accomplished and makes for such a pleasant painting experience. I think few amateur artists ever have this pleasure, for painting on canvas duck as most do is sort of like painting on a piece of carpet. Even those who work with acrylics would benefit from priming their canvas with paint and acrylic gloss medium to tone and begin to define their work. After it is dry, working on top of a glazed oil or acrylic is a dream! It is like working on glass and painting becomes more like sculpture than coloring. Too bad this is rarely taught or expressed! If it was demonstrated more people would probably stick with painting since it would be a hell of a lot more fun and produce much more acceptable results.

Happy Fellow is sold and in the possession of a happy young couple. I hope I will get to paint all their kids someday!

Enjoy! --Jack Anglin

Purple Iris

Painted in my front studio from life last Spring, this pale purple iris was from our yard, I believe. I love these flowers and go out of my way on my walks with the dog to visit them as they bloom around the neighborhood. Our house has two honey bee hives up high in the front columns, so I feel a bit more connected to the neighborhood blossoms.

One of the things I love about iris is the way they curl and shrink as parts die down and new flowers come on. The co-mingling of new and old, the living and the dead, both on one green tubular stem is something to note. I wish they would last longer, but fortunately, where I live, there is almost always something beautiful to observe and appreciate. And at least I do notice these temporal gifts, even if I don't always get it on paper or canvas.

I will try today to step into some new painting project, but I am so close to finishing my Wilmington pastel --I may just devote all my time at the easel to that. I'll post it here as soon as I have it signed and can scan it.

Hope Plantation, Windsor, NC

Hope Plantation in Windsor, NC is the restored home of former NC Governor David Stone. The mansion in this pastel was built in 1803.

The holidays are a great time to visit Hope Plantation as the buildings are wonderfully decorated with natural materials such as holly, beeswax, and all sorts of native plants. A few years ago, my wife and I joined part of the decorating team to learn a few things -my wife, Antoinette, working alongside Betsy Overton. I made my way outside and painted this pastel before the sun was completely set.

For those who have never painted in this way I recommend you try it very soon. As an artist invests in a subject and observes it over a brief span of time, it is truly amazing what one sees as the light shifts and fades, comes and goes over different areas --things you would normally miss in the quick movement we generally make in our lives. Working fast helps an artist, and being able to remember what one sees is a great asset as a subject such as this old house and trees will slide into a completely alternate look in just about no time.

When you visit Hope Plantation, stop and view the Hope House across the lawn from the older 1763 King-Bazemore House, where you will find a view like this I painted in 2007

Steamer Neuse

The Steamer Neuse operated from New Bern to Washington, NC in the days before public ferry systems, bridges, and decent roadways. Having sailed much of the Neuse River I can appreciate how long it must have taken and what some of those trips would have felt like as the river is very wide and can fetch up some nice sized swells. While a pain for frequent travelers it must have been an exciting trip for the infrequent passengers and children. For those of us living in the 21st century (and you know there are some who are not), a steamer trip like this would have been much too long and dull. But what a great little journey for reading or snoozing, or just watching the shore line and sky. I like to imagine how ships appeared at night.

I'm posting older works as I'm in the middle of a 30 X 40 inch illustration of the Steeples and Spires of Wilmington, NC. I should have that finished in a few days and will have time to apply myself to more daily painting, which is something I'm longing to do and have been wanting to do for some time.

The Giraffes of Bentonville

Years ago I served a church in the country near the Bentonville Battlefied. Just north of the Museum and Battleground were these silos --they are gone now. Fortunately I photographed them just weeks before they were torn down. I always saw the shapes of giraffes from the rusty doors and the pipes and motors. When I pointed them out to my kids or other people they said, "Oh yeah!"

The oil original is no longer available but reproductions on canvas will be coming soon. I believe they are about 24" square.