Rudee Nor'easter



9 x 12 inch oil on linen SOLD

One Sunday morning in early November I dropped off Antoinette at First Presbyterian at 7:30 and then I went down south to Rudee Inlet. It was raining so I waited a while but finally got out and saw the jetties and waves, and then later in the afternoon I came back and boy! --it was cranking! That was fun to see. Large waves crashing on the rocks is not something we have too often here. Of course, by the afternoon there were quite a few surfers out south of the inlet with nice action.

The Woman at the Well

On our trip to Pittsburgh last week we stopped at art museums in Richmond and Washington, DC. At the National Gallery of Art I found inspiration to start a little 10 x 18 oil. It's not from one of the paintings from the NGA that I'm talking about, although there was plenty of that kind of inspiration, but it was just a quick glimpse and iPhone photo of one of their beautiful water fountains where I caught a reflection of Antoinette in the brass.  At the NGA, even the water fountains are works of art. So I'm calling it The Woman at the Well. This is the fountain on the main floor in the northeast corner of the original building --on the end near the modern art wing and at the elevator.

Here is a shot of my first paint, --there's a bit more detail that I'll include, but I feel this is a happy start.
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Delivered Portrait



I'm happy to say that I've delivered a portrait today and everyone is delighted.  This beautiful young woman posed for me and sat several times for this 20 X 30 inch oil on linen.

I've several new portraits underway and a new large canvas for a church --a complex scene of working children on the Sea of Galilee with Jesus visiting.  I've made several such large paintings for churches and am looking for more ways to follow through with plenty of other ideas. If you are interested, I'll send you details.

Mother Earth





















Last week's plein air paining event in Kinston was lots of  fun, although the timing was difficult with so much activity in the city with crews getting ready for the weekend festival.  I mentioned how noisy it was as I made my first pastel at the bridge (River Willows was the only item I offered for sale at the show) -well, painting on the downtown side of the river was even worse as the grass was getting cut, tents and tables were set up, etc., etc.  We experienced a range of weather, too, from a very cool day on Wednesday to a pretty warm afternoon on Friday and it was breezy all that time.  I had a couple of incidents that strong gusts blew over my panels and they fortunately landed with the wet side up!  I always tell people that the way to spot a real Monet is to look for dust, dirt and bugs in the paint.  As someone who mainly works inside and ventures outside in mostly fair weather, I can appreciate the work of others who persevere in the worst conditions to paint on location.

Here is Mother Earth Squared  --Mother Earth visiting Mother Earth --a 10" by 10" oil

River Willows

This was fun to do. Mostly, it is being present to -- attending to a view of these hardy trees and standing for two hours in one place listening and watching and painting. By the way, this is a noisy place!



On to the next image( in the shade) and back to The Nature Center to make a labyrinth this afternoon -- helping a Girl Scout project.


Pictures to come!

Spires & Steeples Video

Click the image to view a video of the Spires & Steeples in HD at Vimeo and here for YouTube version.

For our wonderful Thanksgiving holiday we moved furniture for our daughter who is now living in Washington, DC. On Thanksgiving Day the Smithsonian Museums were open, so an easy trip to the National Gallery of Art and the Freer were in order. What a treasure we have in those museums. The Corcoran has a Sargent exhibit that will leave early January. We weren't able to take that in this time but hope to return with another load of boxes.

I haven't been able to post lately but have plans for several DC images along with plein air pieces of local items of interest. On Thanksgiving morning I got out on the mall early and found a wonderful fog was present and providing the perfect atmospheric background for the old Navy Memorial (Peace Memorial) and the Grant Memorial at the foot of the Capitol Building. The fog was pretty thick and the Capitol dome was barely visible. The last time I was in the area I was taken with the Navy Memorial or The Peace Memorial, but it was a sunny afternoon and the statues were surrounded by white tour buses, which made for a curious view. This time only a few joggers and occasional police cars came by. It was pretty great! I'm so glad I got up and out early. I'm thankful for many things.

Below are some of the drawings I made for this painting. There were several variations but I quickly settled into what I needed to do. Symmetry of buildings, balance of sizes, the inclusion of fountains and trees, and the civic buildings central seemed the correct way to proceed.



I did entertain working them up separately and then combining them digitally into a larger composition. You may recognize the solo spire as a street view of First Presbyterian. I made a pastel of that church as it looked before the restoration.

Spires & Steeples of Wilmington





Greetings! I'm back! I've been occupied finishing up The Spires & Steeples of Wilmington, North Carolina, a new 30" X 40" pastel. My time has been devoted to finishing this project and required one more visit this week for finishing touches.

I've been attracted to the architecture of Wilmington for some time and decided last year to proceed on this project. I've visited each building numerous times and photographed them in various conditions. This assembly --this composition has much to offer, I think, in the way of architectural integrity and aesthetic design. Combining the steeples of so many buildings is a perspective nightmare, one I believe I solved or worked through by planning around the symmetry of the larger buildings and the balanced array of smaller towers, plus the inclusion of two beautiful fountains and two ancient trees from downtown and north near the new bypass (this live oak off 17 North was spared, thankfully, and deserves a spot for perseverance if nothing else -PERSEVERE, by the way, is the adopted theme of Wilmington, as seen on the seal of the city).

There are a few other churches I considered, but frankly, I can't do them all, and I selected these classic spires & steeples for their unique contribution to the skyline of Wilmington. You won't find any pre-fab fiberglass units here, in fact, some of the stone on the older churches has had to be repaired and now the churches have a slightly different look due to basically sealing the stone in a durable colored paint concoction. When I started this project, First Presbyterian was looking old and dirty and previous repair patches were showing, especially when the building was damp. Now, the church is almost concluded, the revealed tower looks like new, except now the fragile stone is hidden under a warm almost peach flavored beige paint --an expensive but necessary step and I'm glad I have the new First Presbyterian look in this painting.

The Spires & Steeples of Wilmington is a large pastel that will be available in Wilmington as well as offered as giclée reproductions in scaled sizes on canvas and paper. Fidler's Gallery and Framing in the Cotton Exchange in Downtown Wilmington will be handling the original and giclées. More to come about this with details and videos in the next days, plus I hope to get back painting something else. A commitment like this leaves me primed for some outdoor work and variety --some natural architecture like flowers and clouds!

Happy Fellow



Often when riding through the country I will stop to stretch my legs and visit favorite trees, vistas, and farm animals that attract my eye. This little goat was such a friendly guy, he walked right up to the fence and stuck his head through the wire. I scratched his head and admired his fresh face and what looked to be a smile. I think many of us respond to creatures that convey emotion or what we human beings interpret as such. Our wonderful Golden Retriever named Guinness has the most expressive eyebrows. You can read all sorts of things into his expressions, No one can tell me I'm imagining something when I detect that my dog is irritated with me whenever I'm leaving him in the house or that he's looking purely delighted after his bath and towel rub-down.

Click below for a video from VIMEO, a Flash presentation.



This Happy Fellow video is a partially accelerated oil painting session made earlier this year (speeding up after about 4 minutes) -a quick oil portrait of a friendly little goat.

As I mentioned, I met this sweet fellow a few years ago on my passage through the country on my way home from church in Bentonville, NC. I always wanted to paint this image from the photo I was fortunate to have taken, and decided I would do so while recording the entire process. This video is about 13.5 minutes long, and has no audio since it just sounds like a lot of scratching anyway. I realize now that I hold my breath and sigh a lot while painting --quite revealing! --like I have paint apnea! Maybe other painters will be interested in observing some of the technique and method. It was very good for me to witness myself objectively and plan for my next paintings and any future videos which will definitely be shorter, narrated, and produced in a different manner.

This is an oil painting made on canvas that was previously toned and prepared with paint mixed only with linseed oil for a dried, smooth, primed colored and defined ground. I prefer an oil primed linen or thick canvas that is not too absorbent. When using a cotton and gessoed canvas I will completely cover the canvas by scrubbing in and laying in large zones of color. I'll create an under painting of a buttery paint mix that when dry will accept new paint on top without absorbing it through or below. It is a technique easily accomplished and makes for such a pleasant painting experience. I think few amateur artists ever have this pleasure, for painting on canvas duck as most do is sort of like painting on a piece of carpet. Even those who work with acrylics would benefit from priming their canvas with paint and acrylic gloss medium to tone and begin to define their work. After it is dry, working on top of a glazed oil or acrylic is a dream! It is like working on glass and painting becomes more like sculpture than coloring. Too bad this is rarely taught or expressed! If it was demonstrated more people would probably stick with painting since it would be a hell of a lot more fun and produce much more acceptable results.

Happy Fellow is sold and in the possession of a happy young couple. I hope I will get to paint all their kids someday!

Enjoy! --Jack Anglin

Purple Iris




Painted in my front studio from life last Spring, this pale purple iris was from our yard, I believe. I love these flowers and go out of my way on my walks with the dog to visit them as they bloom around the neighborhood. Our house has two honey bee hives up high in the front columns, so I feel a bit more connected to the neighborhood blossoms.

One of the things I love about iris is the way they curl and shrink as parts die down and new flowers come on. The co-mingling of new and old, the living and the dead, both on one green tubular stem is something to note. I wish they would last longer, but fortunately, where I live, there is almost always something beautiful to observe and appreciate. And at least I do notice these temporal gifts, even if I don't always get it on paper or canvas.

I will try today to step into some new painting project, but I am so close to finishing my Wilmington pastel --I may just devote all my time at the easel to that. I'll post it here as soon as I have it signed and can scan it.

Hope Plantation, Windsor, NC




Hope Plantation in Windsor, NC is the restored home of former NC Governor David Stone. The mansion in this pastel was built in 1803.

The holidays are a great time to visit Hope Plantation as the buildings are wonderfully decorated with natural materials such as holly, beeswax, and all sorts of native plants. A few years ago, my wife and I joined part of the decorating team to learn a few things -my wife, Antoinette, working alongside Betsy Overton. I made my way outside and painted this pastel before the sun was completely set.

For those who have never painted in this way I recommend you try it very soon. As an artist invests in a subject and observes it over a brief span of time, it is truly amazing what one sees as the light shifts and fades, comes and goes over different areas --things you would normally miss in the quick movement we generally make in our lives. Working fast helps an artist, and being able to remember what one sees is a great asset as a subject such as this old house and trees will slide into a completely alternate look in just about no time.

When you visit Hope Plantation, stop and view the Hope House across the lawn from the older 1763 King-Bazemore House, where you will find a view like this I painted in 2007

Rouse Farm Crossroads




This is a scene on the Rouse Farm, just out of Snow Hill on Highway 13. A plein air pastel. One of several made that day.

Steamer Neuse





The Steamer Neuse operated from New Bern to Washington, NC in the days before public ferry systems, bridges, and decent roadways. Having sailed much of the Neuse River I can appreciate how long it must have taken and what some of those trips would have felt like as the river is very wide and can fetch up some nice sized swells. While a pain for frequent travelers it must have been an exciting trip for the infrequent passengers and children. For those of us living in the 21st century (and you know there are some who are not), a steamer trip like this would have been much too long and dull. But what a great little journey for reading or snoozing, or just watching the shore line and sky. I like to imagine how ships appeared at night.

I'm posting older works as I'm in the middle of a 30 X 40 inch illustration of the Steeples and Spires of Wilmington, NC. I should have that finished in a few days and will have time to apply myself to more daily painting, which is something I'm longing to do and have been wanting to do for some time.